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Novelist Tess Gunty wins National Book Award for fiction

Source image: https://abcnews.go.com/Entertainment/wireStory/novelist-tess-gunty-wins-national-book-award-fiction-93453202

NEW YORK — Tess Gunty’s “The Rabbit Hutch,” a sweeping debut novel set in a low-income housing community in Indiana, has won the National Book Award for fiction. The 30-year-old Gunty was among three writers nominated for their first published books.

The nonfiction prize went to Imani Perry’s “South to America,” and Sabaa Tahir’s “All My Rage” won for young people’s literature. In poetry, John Keene was cited for “Punks: New and Selected Poems,” while Argentine-Spanish language author Samanta Schweblin and translator Megan McDowell won for best work in translation for “Seven Empty Houses.”

Winners on Wednesday night each received $10,000.

In her acceptance speech, Gunty cited recent comments made by poetry nominee Sharon Olds about literature’s essential role in society. Gunty called books a path to calling attention to those “neglected” and otherwise not visible.

“Attention is the most sacred resource we have,” she said, calling books among the last places “where we spend the resource freely and need the most.”

“I think kindness wins,” she concluded. “That’s the point of this evening.”

History was on the minds of many of the award winners, whether honorary medalist Art Spiegelman’s references to his parents surviving the Holocaust or Imani Perry’s invoking ancestors who had been “lashed” and “bullet ridden.” A tearful Tahir cited her background as a Muslim and Pakistani-American and dedicated her prize to her “Muslim sisters” around the world “fighting for their lives.”

Several speakers mentioned the current wave of book bannings and the threat to free expression. Spiegelman, whose Holocaust-themed cartoon book “Maus” has been pulled from shelves this year in Missouri and Tennessee, called some of his censors “shrewd marketers” because the controversy over his work boosted sales. He then wondered if some educators simply preferred a “kinder, gentler Holocaust.”

The dinner benefit for the National Book Foundation, which presents the awards, also included an honorary prize for Tracie D. Hall, executive director of the American Library Association. Hall remembered childhood trips with her grandmother to the local library in the Watts section of Los Angeles, a building she likened to a cathedral and benefactor that permitted her to borrow as many books as she and her grandmother could carry.

She then offered tribute to librarians now who “in resisting censorship efforts have sacrificed their jobs and their livelihood.”

It was the first time since 2019 — before the pandemic — that the event was held in person and hundreds, virtually all maskless, gathered at Cipriani Wall Street in downtown Manhattan. Author/”Top Chef” host Padma Lakshmi hosted the ceremony, which also featured taped introductions by Keanu Reeves, Alicia Keys and Jimmy Fallon for nominees in competitive categories.

Outside, striking HarperCollins workers handed out leaflets and buttons — Lakshmi was among those wearing a union button — outlining their differences with the publisher over wages, diversity and union security among other issues. Some 250 entry level and mid-level employees at HarperCollins, the only major New York publisher with a union, began their strike last week. No new talks are currently scheduled.

Perry, a HarperCollins author, made no direct reference to the strike in her acceptance speech, but did cite those who “walk the picket line” as among her inspirations.

Source: https://abcnews.go.com/Entertainment/wireStory/novelist-tess-gunty-wins-national-book-award-fiction-93453202

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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