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Michelle Obama opens tour for new book, ‘The Light We Carry’

Source image: https://abcnews.go.com/Entertainment/wireStory/michelle-obama-opens-tour-book-light-carry-93388710

WASHINGTON — Michelle Obama says it helps to focus on what you can control when you feel out of control.

Among the things she could control during the death and isolation of the pandemic, the racial unrest and threats to democracy were her spools of yarn and her knitting needles.

She labels such thinking the “power of small,” and she writes in her new book, “The Light We Carry: Overcoming in Uncertain Times,” that by focusing on a small task like knitting she was able to get through the worry, anxiety and stress of the past few unsettling years.

“The interesting thing about knitting and using your hands and making something is that it is meditative,” the former first lady said Tuesday night at the Warner Theater in Washington, where she kicked off a monthlong, six-city publicity tour to promote the book.

“In so many ways, it is like a faith,” she said, seated on stage with a friend, former daytime talk-show host Ellen DeGeneres, who engaged Mrs. Obama in nearly 90 minutes of often humorous conversation. “It’s a thing that shuts your worrying mind and lets your hands take over.”

And therein lies the power, she said.

“I think about the knit and the purl, and the knit and the purl, and a row and a row and a row,” the former first lady said, naming different stitches and techniques used in knitting. “And if you keep it up, and you’re focused, you have a sweater.”

In the book, published Tuesday, she shares the contents of her “personal toolbox” — the habits and practices, attitudes and beliefs, and even physical objects that she uses to overcome her feelings of fear, helplessness and self doubt.

“This book is meant to show you what I keep there and why, what I use professionally and personally to help me stay balanced and confident, what keeps me moving forward even during times of high anxiety and stress,” she wrote in the introduction.

The 58-year-old wife of former President Barack Obama and mother of adult daughters Malia and Sasha wrote that the book, her third, is not a how-to manual, but rather is a “series of honest reflections on what my life has taught me so far.”

“Keep in mind, too, that everything I know, all the various tools I lean on, have come to me only through trial and error, over years of constant practice and reevaluation,” she wrote. “I spent decades learning on my feet, making mistakes, adjustments, and course corrections as I went. I’ve progressed only slowly to where I am today.”

“The Light We Carry” is Mrs. Obama’s first new work since the 2018 release of her bestselling memoir, “Becoming,” which has sold more than 17 million copies worldwide, by far the most popular book by a previous first lady or modern president, including her husband.

As first lady, she wrote “American Grown,” a book about the produce garden she had planted at the White House in 2009.

Mrs. Obama opened the tour in Washington and has events planned at Philadelphia’s The Met, Atlanta’s Fox Theatre, the Chicago Theatre and San Francisco’s Masonic before the tour closes at the YouTube Theater in Los Angeles.

Seated in a plush purple chair on stage at the nearly 100-year-old Washington theater, Mrs. Obama discussed her feelings after the 2016 election in which her husband was succeeded by Donald Trump. Coincidentally, Trump announced a third run for president during her appearance.

“If you guys recall, I said, ‘Don’t vote for this guy,'” she said, meaning Trump, who sought to undo much of Obama’s record as president. “It hurt because you wonder — was it a rebuke of the eight years, the sacrifice we made? Was it complacency? What was it?”

The former first lady also discussed overcoming her fear of change and coming to the realization that she could not stand in the way of her husband’s desire to run for president in 2008. He had given her veto power over his decision.

“Opportunity is on the other side of that,” she said, speaking of fear.

She also talked about the pandemic, saying her family handled it better than most because they were already used to isolation from the eight years they lived in the White House “bubble.”

She spoke about how hard it was as first lady — and still is — to make new friends she can trust, and how fun it is to watch her daughters “adult” as they share an apartment in California. The girls had returned to Washington to live with their parents during the pandemic.

Sasha had completed one semester at the University of Michigan before she came back home. Malia, who was enrolled at Harvard, spent her senior year at home and ended up missing out on a graduation ceremony because of COVID-19. So her parents staged a ceremony in their backyard, complete with commencement speakers.

“It was me, and Barack,” Mrs. Obama said, laughing. “We told her how lucky she was. She got us both.”

Source: https://abcnews.go.com/Entertainment/wireStory/michelle-obama-opens-tour-book-light-carry-93388710

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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