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Greek museum displays 1st batch of artworks recouped from US

Source image: https://abcnews.go.com/Entertainment/wireStory/greek-museum-displays-1st-batch-artworks-recouped-us-92907579

ATHENS, Greece — It’s a first symbolic step in a homecoming that will long outlast the 10-year Odyssey of ancient myth.

For decades, an important part of Greece’s cultural heritage sparkled only for the very few in a U.S. billionaire’s private collection, until a groundbreaking deal for its gradual return to Athens. Now 15 of the prehistoric masterpieces have gone on public view for the first time in a temporary display in Athens, ahead of their final return, together with the remaining 146 works, by the year 2048.

But Greek opposition politicians, and some archaeologists, say that’s too long. They say the government should have fought in court to recoup the entire collection quicker, arguing it was looted from ancient sites on Greek islands and smuggled away.

Culture Minister Lina Mendoni said the August deal — which also involved New York’s Metropolitan Museum of Art — was the best possible one it could get.

“A court process is a very arduous affair that requires very strong documentation which, in most cases, we lack,” she said Tuesday at a presentation of the exhibition, which opened last week and will run for a year at the Athens Museum of Cycladic Art — itself based on a private Greek collection.

“It is an unfortunate fact that finds from illegal excavations exist all over the world,” she added. “So, whichever of these belong to Greece, our policy is to bring them back.”

Dating from 5300-2200 B.C., the artifacts were acquired by Leonard N. Stern, an 84-year-old pet supplies and real estate businessman. Most belong to the Cycladic civilization that flourished in the Cyclades islands between 3,200-2000 B.C., whose elegantly abstract but enigmatic white marble figurines inspired leading 20th century artists.

The 15 works on display in Athens are striking. One 86-centimeter (34-inch) female figurine retains eyes and eyebrows in low relief. A diminutive female figure standing on the head of a larger one is one of only three known in existence. A marble head bears traces of painted red dots on its cheeks and neck as — like later ancient Greek sculpture — many of the Cycladic figurines were initially colored.

Little is known of their original function, largely because so many of the surviving Cycladic artifacts were hastily unearthed by looters. This cheats archaeologists of the clues that a proper excavation could provide.

“When an artifact, from a broken piece of pottery to a statue, is removed from its context, the environment in which it is found, it ceases to be a piece of historic evidence and simply becomes an artwork,” Mendoni said. “The loss is immense.”

“If we accept that our past is part of our identity, objects that come from illegal excavations deprive us of a smaller or larger part of that identity,” she added.

Mendoni said Greece has increased efforts — working with other countries — to discourage the trade in looted antiquities and has observed a decline in antiquities collecting.

The 15 works will be sent to the Met, to be displayed with the rest from 2023 to 2048. The returns to Greece will start in 2033 and continue through 2048.

Source: https://abcnews.go.com/Entertainment/wireStory/greek-museum-displays-1st-batch-artworks-recouped-us-92907579

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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