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‘Everything Everywhere All At Once’ leads Spirit Award noms

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Source image: https://abcnews.go.com/Entertainment/wireStory/leads-spirit-award-noms-93801869

The multiverse-hopping adventure film “ Everything Everywhere All At Once ” has a leading eight nominations for the Film Independent Spirit Awards with nods for best feature, best director, best lead actor for Michelle Yeoh, supporting actors Ke Huy Quan and Jamie Lee Curtis and breakthrough for Stephanie Hsu.

The organization announced nominees for its 38th edition on Tuesday, where other top contenders include Todd Field’s classical music thriller “ Tár,” with seven nominations — including for feature, director, actor for Cate Blanchett and supporting actor for Nina Hoss — Charlotte Wells’ “ Aftersun,” Sarah Polley’s “Women Talking” and Luca Guadagnino’s “ Bones and All.” Aside from “Aftersun,” nominated for best first feature, all are best feature nominees alongside the sole nomination for “Our Father, the Devil.”

Daniel Kwan and Daniel Scheinert’s “Everything Everywhere All At Once” has become a bit of a Cinderella story this year, earning over $100 million at the global box office against a $25 million budget. It was also nominated for editing and screenplay.

The cannibal romance “Bones and All,” which expands nationwide this week, got nominations for Taylor Russell’s lead performance and Mark Rylance’s supporting role, but none for Timothée Chalamet.

“Women Talking,” about women living in an isolated religious colony, did not receive any solo acting nominations but did get the Robert Altman Award for its ensemble, in addition to best director and screenplay nods.

Joining “Aftersun” in the first feature category are “Emily the Criminal,” “ The Inspection,” “ Murina,” and “Palm Trees and Power Lines.”

Paul Mescal was nominated for his leading performance in “Aftersun” while his co-star Frankie Corio was singled out in the breakthrough category.

The awards celebrate the best in independent filmmaking and recently raised the budget cap from $22.5 million to $30 million for the main prizes and $1 million for the John Cassavetes Award. The organization also shifted to gender neutral acting awards. The main acting categories now have 10 nominees each.

Lead performance nominees, in addition to Blanchett, Russell, Mescal and Yeoh, are Dale Dickey (“A Love Song” ), Mia Goth (“Pearl” ), Regina Hall (“Honk for Jesus. Save Your Soul.”), Aubrey Plaza (“Emily the Criminal”), Jeremy Pope (“The Inspection”) and Andrea Riseborough (“To Leslie”).

Other supporting performers nominated are: Brian Tyree Henry (“Causeway”), Brian d’Arcy James (“The Cathedral”), Trevante Rhodes (“Bruiser”), Theo Rossi (“Emily the Criminal”), Jonathan Tucker (“Palm Trees and Power Lines”) and Gabrielle Union (“The Inspection”).

A24 was far and away the most nominated studio with 24 nods total from its slate, which included “Everything Everywhere All At Once,” “Aftersun,” “The Inspection,” “After Yang” and “Pearl.” Focus Features, which made “Tár” and “Honk For Jesus. Save Your Soul.” followed with nine.

“Zola’s” Taylour Paige and “The Inspection’s” Raúl Castillo read the nominations, which are chosen by committees made up of film critics, producers, festival programmers, filmmakers, past winners and Film Independent’s Board of Directors. Film independent president Josh Welsh said they considered 409 films.

Films nominated for best documentary included Laura Poitras’ Venice-winner “ All the Beauty and the Bloodshed,” “All that Breathes,” “A House Made of Splinters,” “Riotsville, U.S.A.” and “Midwives.”

Best international nominees were: “Corsage,” “Joyland,” “Leonor Will Never Die,” “Return to Seoul” and “Saint Omer.”

At the 37th edition earlier this year, Maggie Gyllenhaal’s Elena Ferrente adaptation “The Lost Daughter” won best feature, best director and best screenplay. But Netflix won’t have a repeat showing in March: The streamer received zero nominations Tuesday. The budget cap meant that several of its films like, “White Noise” and “Bardo, False Chronicle of a Handful of Truths,” were not eligible.

Some other high-profile award hopefuls that received zero nominations were James Gray’s “Armageddon Time” and Darren Aronofsky’s “ The Whale.”

The Spirit Awards also hand out awards to television shows, but those nominees won’t be announced until Dec. 13. The beachside ceremony will be held in Santa Monica on March 4, 2023, the weekend before the Oscars.

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Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr.

Source: https://abcnews.go.com/Entertainment/wireStory/leads-spirit-award-noms-93801869

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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