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Elton John rockets toward retirement at Dodger Stadium

Source image: https://abcnews.go.com/Entertainment/wireStory/elton-john-rockets-retirement-dodger-stadium-93705797

LOS ANGELES — Forty seven years after he took the stage at Dodger Stadium in Los Angeles in a sequined-studded baseball uniform as the world’s biggest pop star, Elton John walked on to the same stage on Sunday night wearing a bedazzled Dodgers bathrobe, a uniform more fitting for a 75-year-old man on the verge of retirement.

The crowd of more than 50,000 roared at the moment that came in the final minutes of the final North American concert of a tour John says will be his last.

“I want to spend time with my family because I’ll be 76 next year, he said. “I want to bring them out and show you why I’m retiring.”

He embraced and kissed his husband, David Furnish, while his two sons, 11-year-old Zachary and 9-year-old Elijah, wearing matching Dodgers jackets that read “Elton” on the back, waved gleefully at the crowd.

John then broke into “Goodbye Yellow Brick Road,” the inevitable final song that gave the “Farewell Yellow Brick Road” tour its name.

The crowd full of rocket men and rocket women, of blue jean babies and LA ladies, many John’s age but plenty in their 20s and 30s and 40s, swayed and sang along as they had throughout the two-hour show during songs like “Rocket Man” and “Tiny Dancer.” Some wiped away tears.

Many were wearing their own sequins and spangles, sparkling spectacles, top hats, feather boas, and in a few cases, Donald Duck suits, representing stages of John’s 55-year career.

“Thank you all for dressing up,” John said, “it makes me so happy when you wear the most fantastic costumes.”

When that last song ended, John shed the robe and exposed another retirement outfit, a green-and-red tracksuit, and climbed into a small, clear elevator that lifted him into an opening in the backdrop. He could then be seen on a giant video screen walking down a yellow brick road into the distance.

Many others joined John for the occasion.

Kiki Dee took the stage to sing their duet “Don’t Go Breaking My Heart.”

“In 1975, this woman was here with me, and we sang this song,” John said as he brought out Dee. “I asked her to come and recreate that incredible moment.”

John jumped from his usual keyboard spot, grabbed a mic and sang and danced with Dee as his rehearsal piano player Adam Chester pounded the keys in his place.

John played “Don’t Let the Sun Go Down on Me” in tribute to the four bandmates who have died during his career, and after the first verse brought on another guest, shouting, “ladies and gentleman, Brandi Carlile!”

The moment was an unspoken tribute to another late collaborator, George Michael, who dueted with John in the same way on the song in 1991.

Carlile, who was central to Joni Mitchell ‘s recent return to the stage, was wearing her own Dodger-themed spangled suit. She belted out her verses and made a “can you believe this?!” face to the crowd as John put his arm around her and the soaked in the applause.

A drum machine pounded as Dua Lipa, in a black dress that contrasted with the sparkles on everyone else, came out for the first of the encores, “Cold Heart,” her 2021 hit with John.

“I can’t tell you how it feels to be 75 years old and to have the No. 1 record around the world,” John said after. “And this was my very first hit, 52 years ago.”

He started playing piano chords and sang, “It’s a little bit funny, this feeling inside,” the opening line to 1970’s “Your Song.”

“That was your song, Los Angeles!” he shouted after.

About two hours earlier, after taking the stage in a tuxedo with sequins that flared into a flame design and opening the concert with “Benny and the Jets,” he explained the significance of the city to his music.

“All right, this is a very special night for me, a very emotional night for me, and it’s been a long journey, and I first came here to America in 1970 to the City of Angels, Los Angeles, and I played a club called the Troubadour.”

The concert, which streamed live on Disney+, was the last of a three-night stand at the stadium (and his 103rd show in the LA area, he told the crowd). The Farewell Yellow Brick Road tour began in September 2018 with the first of the 300-plus scheduled dates. It was suspended in 2020 because of the COVID pandemic and resumed in 2021.

In January, John heads to Australia and New Zealand, then moves on to Britain and Europe. He’s set to conclude in Sweden in July, though he’s made it clear he is only done traveling, not making music.

Many of those backing him up have been in his band from the start, or very near it, including Nigel Olsson, his drummer since 1969, and Davey Johnstone, his guitarist since 1971, who at age 71 stood at the front of the stage and led the band through a ripping version of “Saturday Night’s Alright for Fighting.”

John also provided a rare on-stage glimpse of an even more long-running collaborator, the man who wrote most of the words the crowd sang along with all night, lyricist Bernie Taupin.

“We’ve been writing together now since 1967,” John said as he hugged Taupin, who could not have contrasted with his writing partner more with his bald head and plain, earth-toned coat. “We still love each other more than we’ve ever done before.”

———

Follow AP Entertainment Writer Andrew Dalton on Twitter: https://twitter.com/andyjamesdalton

Source: https://abcnews.go.com/Entertainment/wireStory/elton-john-rockets-retirement-dodger-stadium-93705797

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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