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Diego Luna talks filming ‘Andor’ final season and the prospects for Latino actors in the Emmys race

MEXICO CITY — Diego Luna has mixed emotions about the looming end of his Star Wars series “Andor.”

“I am very excited filming, all the time I feel that we are approaching the end and, therefore, the process is lived with a certain melancholy,” the Mexican actor said in a recent interview by video call during a break in shoots in Great Britain for the acclaimed series’ second season.

Luna knew the series, about a Rebel spy introduced to fans in 2016’s “Rogue One,” was meant to last only two seasons. But he’s not looking forward to the end.

“There is also an inevitable part of saying how sad it is to leave this team, to leave this dynamic, to leave this time living here,” he said.

The show has taken a thriller approach to telling the backstory of Cassian Andor, a thief-turned-spy for the rebels resisting the brutal Galactic Empire of the original “Star Wars” trilogy.

Luna’s portrayal of Andor’s survive-at-all-costs ethos has made placed him on many shortlists for a drama series actor Emmy nomination. If it happens, he would be the first Latino actor to get an Emmy nom in the category in nearly 30 years; Puerto Rican star Jimmy Smits was the last actor to compete in the category in 1995 for his role in “NYPD Blue.”

There are other possible contenders: Pedro Pascal for “The Last of Us,” Jenna Ortega for “Wednesday” and Selena Gomez for the comedy series “Only Murders in the Building.” While Luna is happy he’s in the mix, the long drought for Latin actors is troubling.

“What makes me sad is the fact, the fact that the last nomination for a Latino actor in this category was so many years ago, it is very absurd knowing the number of interesting stories that have been told, the number of actors who have done memorable jobs,” he said. “But it’s also exciting to know that I’m not the only one and that makes me think that good things are coming for people who look like me, who come from where I come from.”

For now, Luna focuses on “what has already happened”, including the positive reception that “Andor” has received.

Created and produced by Tony Gilroy, “Andor” has received nominations for honors at the BAFTAs, Golden Globe and Screen Actors Guild awards and numerous others. It’s a rare achievement for a sci-fi series, which generally do not find themselves in the main categories at shows like the Emmys.

“There are many prejudices in some way with science fiction cinema and with ‘Andor’ very beautiful things have happened,” Luna said. “It’s very nice to see that for the team, the people who do this, the people in the industry are celebrating them and the series.”

When asked if there will be more action or if the second season, which will arrive in August 2024, will be darker, Luna stressed that the series lives in the middle of both forces.

“It’s the balance that makes this series stick,” he said. “I think that if something characterizes this series, it is the depth it has in the portrait of its characters. Being the last season, you got to follow the path of all these characters that you met in the first, and well, many of them are not in ‘Rogue One’ and the stories have to be (brought) to an end.”

Source: https://abcnews.go.com/Entertainment/wireStory/diego-luna-talks-filming-andor-final-season-prospects-100392129

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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