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Defense: Masterson rape case plagued by contradictions

Source image: https://abcnews.go.com/Entertainment/wireStory/defense-masterson-rape-case-plagued-contradictions-93370146

LOS ANGELES — Rape allegations against actor Danny Masterson were so riddled with contradictions and inconsistencies that prosecutors in their case implicated the Church of Scientology to help patch holes in its case, a defense lawyer said Tuesday in closing arguments.

“When there are contradictions and inconsistencies — blame it on others,” attorney Phillip Cohen said. “We heard Scientology so often that it really became the go-to excuse.”

All three accusers and Masterson were members of the church at the time of the allegations two decades ago when the actor was at the height of his fame on the sitcom “That ’70s show,” and Scientology loomed large in the trial in Los Angeles Superior Court.

“There are no charges against Scientology but you can’t avoid it,” Deputy District Attorney Reinhold Mueller said in his rebuttal argument.

Mueller said the women delayed reporting the allegations because church rules prevented them from going to law enforcement and if they told anyone else about what happened, they would be ostracized.

While Masterson remains a member of the church, the three women are not. They were afraid to testify because they had been subjected to harassment, intimidation and stalking after they reported the crimes, Mueller said.

If the statements by the women were all consistent then it would have indicated they were scripted, Mueller said. He said inconsistencies often arise when victims of sexual assault have to relive their ordeals when speaking to police for the first time.

“They’re having to reach inside themselves and pull out that pain and trauma that they’ve had buried inside themselves,” Mueller said. “You may find some inconsistencies there.”

Masterson, wearing a brown tweed suit, looked at the jury from the defense table with no visible reaction. His wife, actor and model Bijou Phillips, sat behind him at the front of the gallery, along with several of his family members and friends.

Jurors were sent to deliberate briefly at the end of the day before adjourning. The panel of seven women and five men return to court Wednesday morning.

Masterson, 46, faces three counts of forcible rape. If convicted, he could be sentenced up to 45 years in state prison.

The women testified that Masterson raped them in his Hollywood Hills home between 2001 and 2003. The defense said the acts were consensual.

Testimony by the women — all referred to as Jane Does 1-3 — was graphic and emotional. One woman, a friend of Masterson’s personal assistant, said she had vomited and passed out after he gave her a mixed drink. She said she returned to consciousness to find Masterson having rough and painful sex with her.

A former girlfriend of Masterson said she woke up to find him having sex with her when she hadn’t consented.

Masterson did not testify and his lawyer presented no defense evidence, instead focusing on how the stories of the women had changed over time.

“The key to this case is not when they reported it,” Cohen said. “It’s what they said when they reported it. What they said after they reported it. And what they said at trial.”

He said prosecutors depiction of Masterson as a “commanding scary, abusive monster” was undermined by testimony by his former girlfriend who said she willingly had sex with him after the alleged rapes.

“I get the theme: Paint Danny as a monster. But when you look at the actual testimony it tells us something different,” Cohen said. “This is the problem when you start veering from the truth.”

Mueller told jurors to stick to the evidence and not to be swayed by what he called speculation by the defense.

He mocked a statement Cohen made when he told jurors they could acquit Masterson if they thought he “actually and reasonably believed” the women consented to having sex.

Mueller said nobody would believe the acts described were consensual. He reminded them that one woman repeatedly told Masterson “no,” pulled his hair and tried to get out from under him.

Another woman said Masterson helped her throw up by putting his finger down her throat, then told her she was disgusting and made her shower because she had vomit it in her hair, Mueller said.

“Then he puts her in bed, flips her over and has his way with her,” Mueller said. “There’s not a reasonable belief (she) consented. Absolutely not.”

Source: https://abcnews.go.com/Entertainment/wireStory/defense-masterson-rape-case-plagued-contradictions-93370146

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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