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Artemisia Gentileschi’s 1616 nude to be digitally unveiled

Source image: https://abcnews.go.com/Entertainment/wireStory/artemisia-gentileschis-1616-nude-digitally-unveiled-93209171

FLORENCE, Italy — Art restorers in the Italian city of Florence have begun a six-month project to clean and virtually “unveil” a long-censored nude painting by Artemisia Gentileschi, one of the most prominent women in the history of Italian art.

Swirling veils and drapery were added to the “Allegory of Inclination” some 70 years after Gentileschi painted the life-size female nude, believed to be a self-portrait, in 1616.

The work to reveal the image as originally painted comes as Gentileschi’s contribution to Italian Baroque art is getting renewed attention in the #MeToo era, both for her artistic achievements but also for breaking into the male-dominated art world after being raped by one of her art teachers.

Her work was featured in a 2020 exhibit at the National Gallery in London.

“Through her, we can talk about how important it is to restore artwork, how important it is to restore the stories of women to the forefront,’’ said Linda Falcone, coordinator of the Artemisia Up Close project.

“Allegory of Inclination” originally was commissioned for the family home of Michelangelo Buonarroti the Younger, the great-nephew of the famed artist. The building later became the Casa Buonarotti museum, and the painting was displayed until recently on the ceiling in a gilded frame. When lead conservator Elizabeth Wick removed the painting in late September, a shower of 400-year-old dust was released.

Wick’s team of restorers is using ultraviolet light, diagnostic imaging and X-rays to differentiate Gentileschi’s brush strokes from those of the artist that covered the nudity. The public can watch the project underway at the museum through April 23.

Restorers won’t be able remove the veils because the cover-up was done too soon after the original, raising the risk that Gentileschi’s painting would be damaged in the process.

Instead, the restoration team plans to create a digital image of the original version that will be displayed in an exhibition on the project opening in September 2023.

Gentileschi arrived in Florence shortly after the trial in Rome of her rapist, during which the then-17-year-old was forced to testify with ropes tied around her fingers that were progressively tightened in a test of her honesty.

She also had to endure a physical examination in the courtroom behind a curtain to confirm that she was no longer a virgin. Eventually, her rapist was convicted and sentenced to eight months in prison.

“Somebody else would have been crushed by this experience,’’ Wick said. “But Artemisia bounces back. She comes up to Florence. She gets this wonderful commission to paint a full-length nude figure for the ceiling of Casa Buonarroti. So, I think she’s showing people, ‘This is what I can do.’”

While in Florence, Gentileschi also won commissions from the Medici family. Her distinctive, dramatic and energetic style emerged, taking inspiration from the most renowned Baroque painter of the time, Caravaggio. Many of her paintings featured female heroines, often in violent scenes and often nude.

She was 22 when she painted “Allegory of Inclination,” which was commissioned by Michelangelo Buonarroti the Younger. Another member of the family, Leonardo Buonarroti, decided to have it embellished to protect the sensibilities of his wife and children.

“This is one of her first paintings. In the Florentine context, it was her debut painting, the same year she was then accepted into the Academy of Drawing, which was the first drawing academy in Europe at the time,” Falcone said.

With the younger Michelangelo as her patron, Gentileschi gained entry to the cultural milieu of the time.

“She was able to hobnob with Galileo and with other great thinkers. So this almost illiterate woman was suddenly at the university level, producing works of art that were then, you know, appreciated by the Grand Duke,” Falcone said. “And she became a courtly painter from then on.”

Source: https://abcnews.go.com/Entertainment/wireStory/artemisia-gentileschis-1616-nude-digitally-unveiled-93209171

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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