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AP fires reporter, reviews sourcing rules after Poland error

Source image: https://abcnews.go.com/Entertainment/wireStory/ap-fires-reporter-reviews-sourcing-rules-after-poland-93823168

NEW YORK — The Associated Press has fired a reporter and is reviewing its standards on use of anonymous sourcing following an “egregious” error in a story about a fatal missile strike that killed two people in Poland.

The national security reporter, James LaPorta, was dismissed after being deemed primarily responsible for a Nov. 15 news bulletin that erroneously said Russian missiles had carried out the strike, according to people at the AP familiar with the decision. They asked for anonymity to talk about personnel matters and internal operations.

In fact, it is widely believed that Russian-made antiaircraft missiles fired by Ukraine were responsible for the deadly encounter in the NATO country.

LaPorta, who had worked at AP since 2020, said Tuesday that “I would love to comment on the record, but I have been ordered by the AP to not comment.”

AP is believed to be the first news organization outside of Polish media to report on the strike itself last week. The error ascribing blame to Russia was particularly damaging because of the danger involved given NATO’s commitment to respond to an attack on a member country.

“We review any egregious mistakes that are made,” Julie Pace, senior vice president and executive editor of the AP, said of last week’s error. “We take our standards very seriously. If we don’t live up to our standards, we don’t have any choice but to take action. Trust in the AP and trust in our report is paramount.”

The initial report was attributed to a “senior U.S. intelligence official,” with no explanation of why the person was granted anonymity. A reason for anonymity is required by AP policy. Later, the story was updated to add that the official was not named because of the sensitive nature of the situation.

The AP tries to avoid confidential sources, according to its statement of principles, and it lays out strict guidelines for their use. For example, a reporter must get approval from a news manager who is told the source’s identity in order to use it in a story — a process known as “vetting sources.”

In this case, LaPorta said in an internal Slack message that his source had been vetted by Ron Nixon, an AP vice president and head of investigations, enterprise, partnerships and grants. But Nixon has said he had no knowledge that the source was being used for this particular story and development, according to people with knowledge of the situation.

AP’s policies also call for a second source to corroborate information received through confidential sources, although exceptions are granted on a case-by-case basis.

There has been other disciplinary action taken, according to the company, which did not give details Tuesday afternoon. The AP is reviewing all aspects of the story and the way it was handled, and how the material made it to the wire, Pace said.

“Anytime that we have an error, and certainly an error of this magnitude, we have to stop,” Pace said. “We have to make sure we have the right policies when it comes to anonymous sources and reporting on sensitive information, and we need to make sure that our staff is trained properly and has a clear understanding how to implement these standards.”

The AP’s standards editor, John Daniszewski, sent a note to all AP journalists on Tuesday reminding them on standards for the use of anonymous sources, saying the guidelines “should be known by every AP reporter and editor.”

He noted that the AP’s exception to its two-source rule comes when the material being offered comes directly from an authoritative figure in a position to know, with information so detailed that there is no question of its accuracy.

While the rules are straightforward, “they can become muddled if reporting from anonymous sources is put directly into a Slack channel or conversation with other editors and reporters assembling a piece of AP journalism, especially in a breaking news situation,” Daniszewski wrote.

The AP’s internal messaging from that day included a brief discussion of whether a second source was necessary.

As the day went on, the story was updated — including adding Ukraine President Volodymyr Zelenskyy’s false blame of Russians for the Polish incident. Eventually, AP’s report couched the incident by reporting the Polish Foreign Ministry’s statement that it was a Russian-made missile.

The AP issued a formal correction on its story the next day.

The story contained the byline of a second AP reporter, John Leicester, who was chronicling a series of Russian attacks in Ukraine that day. Leicester, stationed in Kyiv when the story hit the wire, is not facing any discipline because he had nothing to do with the anonymously sourced material about the Polish attack that was inserted into the story.

The incident is a particularly vivid reminder — given the potential consequences — of the need for journalists to take care in “fog of war” situations, said William Muck, a political science professor at North Central College in Illinois.

“We forget that the nature of conflict is that there is a lot of ambiguity and uncertainty,” Muck said. “There is reason for caution and to slow things down.”

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David Bauder is the media writer for The Associated Press. Follow him on Twitter at http://twitter.com/dbauder

Source: https://abcnews.go.com/Entertainment/wireStory/ap-fires-reporter-reviews-sourcing-rules-after-poland-93823168

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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