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Angela Bassett, Mel Brooks to receive honorary Oscars

Source image: https://abcnews.go.com/Entertainment/wireStory/angela-bassett-mel-brooks-receive-honorary-oscars-100387424

Angela Bassett may have gone home empty handed at the Oscars in March, but the two-time nominee will be getting a golden statuette this year after all – and in very good company too.

In November, Bassett, Mel Brooks and film editor Carol Littleton will receive honorary Oscars at the Governors Awards, the Academy of Motion Picture Arts and Sciences said Monday.

Michelle Satter, the founding senior director of the Sundance Institute’s Artist Programs, will also be given the Jean Hersholt Humanitarian Award at the untelevised event.

“The Academy’s Board of Governors is thrilled to honor four trailblazers who have transformed the film industry and inspired generations of filmmakers and movie fans,” Janet Yang, the academy’s president, said in a statement.

Most recipients of the academy’s honorary awards have not won competitive Oscars. Brooks, is an exception, however, having won an original screenplay Oscar for “The Producers.” At the ceremony, in 1969, he said he wanted to “thank the academy of arts sciences and money for this wonderful award.” In his speech, which had the audience in stitches, he also thanked Gene Wilder three times.

The 96-year-old, who began his career writing for Sid Caesar’s “Your Show of Shows,” and over the next 70 years would write, direct, act, produce for film, television and Broadway and write books, including a recent memoir, is among the rare breed of EGOT-winners. (Those are entertainers who have won Emmy, Grammy, Oscar and Tony Awards.) He also received two other Oscar nominations, for writing the lyrics to John Morris’s “Blazing Saddles” song and another screenwriting nod for “Young Frankenstein,” which he shared with Wilder.

“Mel Brooks lights up our hearts with his humor, and his legacy has made a lasting impact on every facet of entertainment,” Yang said.

Bassett, whose credits include “Boyz N the Hood,” “Malcolm X,” “Waiting to Exhale” and “How Stella Got Her Groove Back,” received her first Oscar nomination for her portrayal of Tina Turner in “What’s Love Got to Do With It” and her second earlier this year for playing the grieving queen in “Black Panther: Wakanda Forever.” The 64-year-old told the AP earlier this year that “this moment has been so special, it’s been a highlight of my career.”

Yang said in a statement that, “across her decades-long career, Angela Bassett has continued to deliver transcendent performances that set new standards in acting.”

Littleton’s name might not be as immediately recognizable as the celebrities being honored alongside but has been working behind the scenes with top filmmakers for nearly five decades. The 81-year-old Oklahoma native worked frequently with both Lawrence Kasdan and Jonathan Demme, editing films like “Body Heat,” “The Big Chill,” “Swimming to Cambodia” and “The Manchurian Candidate.” She received her first and only Oscar nomination for “E.T. The Extra-Terrestrial,” the only film she’s edited for Steven Spielberg. She’s also married to cinematographer and former Academy president John Bailey.

The honorary awards are given, “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.”

Satter, meanwhile, has led the Sundance Institute’s famed artist programs for more than 40 years, helping filmmakers at the earliest stages of their careers, from Paul Thomas Anderson to Ryan Coogler.

The Governors Awards will be held on Nov. 18 at the Fairmont Century Plaza in Los Angeles.

Source: https://abcnews.go.com/Entertainment/wireStory/angela-bassett-mel-brooks-receive-honorary-oscars-100387424

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Book Review: Explosive debut novel ‘Fireworks Every Night’ is a bittersweet celebration of survival

“Fireworks Every Night” by Beth Raymer (Random House)

C.C.’s isn’t your typical rags-to-riches story. She remembers growing up in a single-wide with her older sister, stay-at-home mom and car-salesman dad. But she also remembers when they moved to Florida after everything in the car lot burned down — including their home — launching them into a comfortable middle-class life and a fresh start in a state her dad proudly brags has fireworks every night.

“Fireworks Every Night” is Beth Raymer’s debut novel, but not her first book. Following her 2010 memoir “Lay the Favorite,” she borrows from her life to create a deeply personal story of a dysfunctional family.

Having grown up in West Palm Beach, Raymer puts her local knowledge to use as her protagonist — a resident of Loxahatchee, Florida — rattles off the schools she plays basketball against, and how worn down or rich they are. She’s familiar with the Baker Act and who’s been institutionalized through its use. She knows all the neighborhoods and has eaten at Benny’s on the Beach.

If the gorgeous cover designed by Elizabeth A. D. Eno isn’t enough to draw you in, let the heartbreakingly determined main character and the promise of an earnest look at the skeletons in her closet convince you.

In adulthood, C.C. is engaged to a well-educated and absurdly wealthy man — a far cry from the childhood in which she learns what it means to fight for survival. Hopping between the two timelines in stark juxtaposition, the full picture of C.C.’s life emerges.

As kid-C.C.’s home life comes completely unraveled, the story morphs from tragicomedy to horror, revealing how her family fell apart and left her sister struggling with addiction, her mother chronically absent and her father homeless. All the while, adult-C.C. is juggling a host of modern stresses: the viability of having children, climate change, living in a world that makes it far too easy to compare yourself with the 8 billion others who inhabit it, and reconciling your self-worth with the balance in your bank account.

Raymer launches addiction, homelessness, neglect and poverty shamelessly into the lexicon, treating C.C. and her family with nothing less than respect.

A nature motif runs throughout the story, blurring the line between animal and human and calling into question what is “natural” in a world so unnaturally shaped by people. Animals play a quiet but pivotal role throughout “Fireworks Every Night,” shaping Raymer’s engrossing novel into a bittersweet celebration of the scrappy Americans who are finding a way to survive even as the elite push humans and animals alike out of their habitats.

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Book Review: ‘White House by the Sea’ tells storied Kennedy tale through family’s compound

“White House By the Sea: A Century of the Kennedys at Hyannis Port” by Kate Storey (Scribner)

The history of the Kennedy family is so well-chronicled — from the modern Camelot legend surrounding John F. Kennedy’s presidency to the series of tragedies that marked the family throughout the 20tb century — that it’s hard to imagine new ways to tell their story.

But Kate Storey does just that in “White House By the Sea: A Century of the Kennedys at Hyannis Port” — revisiting the family’s history through their time at the famed Kennedy compound on Cape Cod.

Storey, the senior features editor at Rolling Stone magazine, weaves a fascinating narrative about the Kennedy family using Hyannis Port as the backdrop. The book traces the family’s ties to the compound back to the 1920s, when Joseph Kennedy bought Malcolm Cottage, what became known as the Big House.

Many of the stories feel so familiar, from Joseph Kennedy Jr.’s death during World War II to John F. Kennedy Jr.’s fatal plane crash in 1999. The compound was also the setting for much happier occasions, including John F. Kennedy’s presidential acceptance speech and the wedding of Arnold Schwarzenegger and Maria Shriver.

Storey gives them a fresh look with new details and well-sourced reporting that opens up a traditionally private community — “what’s left of Camelot,” she writes.

Storey’s research gives the book a more intimate feel than many other histories of the Kennedy family, introducing figures that aren’t as well-known but played a key role in the family and its compound. Fittingly, it’s written in an accessible way that makes the book a welcome beach read.

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Fox News unveils primetime lineup with Jesse Watters in Tucker Carlson’s former time slot

Jesse Watters will fill the Fox News Channel time slot left vacant by the firing of Tucker Carlson, part of a dramatic revamp of the network’s evening lineup announced on Monday.

Greg Gutfeld’s late-night show that combines news and comedy will move up an hour to start at 10 p.m. Eastern, displacing Laura Ingraham. She’ll shift to 7 p.m., the hour that Watters has occupied. Sean Hannity will stay in his 9 p.m. time slot, Fox said. The new lineup debuts on July 17.

The announcement comes roughly two months after Fox News fired Carlson shortly after settling a defamation lawsuit with the voting machine maker Dominion Voting Systems on the eve of trial. The case, which centered on the network’s airing of false claims following the 2020 presidential election, exposed a trove of private messages sent between Fox hosts, including Hannity and Carlson, in which they criticized peers at the network.

Carlson has since begun doing occasional monologues for Twitter, although Fox is attempting to get him to stop the broadcasts.

Fox has seen its ratings tumble since Carlson exited. Carlson averaged 3.25 million viewers at 8 p.m. in the first three months of the year, and the string of guest hosts who replaced him the past two months usually reached under 2 million, making the network’s command more tenuous.

The lineup change signals that Fox is doubling down on its opinionated evening programming strategy, with three sharp-tongued men filling the prime-time hours. It’s something of a triumphant return for Watters, who got his start at the 8 p.m. hour, doing man-in-the-street interviews and other features for Bill O’Reilly before O’Reilly’s firing in 2017.

It also means double duty for Gutfeld and Watters, who are both panelists on “The Five” and will continue there. The late-afternoon political talk show has become Fox’s most popular program.

Keeping that show’s chemistry intact appeared to be a priority for Fox. Gutfeld said in a Wall Street Journal interview last week that he would no longer appear on “The Five” or do his late-night show if he were to get Carlson’s old time slot.

Trace Gallagher, who has worked at Fox since the network began in 1996, will host a news show at 11 p.m., filling the hour that Gutfeld is leaving vacant.

“The unique perspectives of Laura Ingraham, Jesse Watters, Sean Hannity, and Greg Gutfeld will ensure our viewers have access to unrivaled coverage from our best-in-class team for years to come,” Fox News CEO Suzanne Scott said in a statement.

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